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Alison Nguyen Featured in Art in America’s “New Talent 2025” Issue and Profiled in ArtNews

Visiting Assistant Professor of Film Alison Nguyen was featured in Art in America’s "New Talent 2025" Issue, a list of 20 emerging artists to watch. Alongside this honor, Nguyen was profiled in ArtNews.

Alison Nguyen Featured in Art in America’s “New Talent 2025” Issue and Profiled in ArtNews

Visiting Assistant Professor of Film Alison Nguyen was featured in Art in America’s "New Talent 2025" Issue, a list of 20 emerging artists to watch. Alongside this honor, Nguyen was profiled in ArtNews. Since 2021, Art in America has chosen 20 new artists who are significant figures in their field from around the world. Nguyen’s art uses sculpture and video to combine personal details with an exploration into broader forces of technology and history.

For ArtNews, Beatrice Loayza writes about Nguyen’s installation History as Hypnosis and Andra8, Nguyen’s machine-learning program which she cast as a human woman in My Favorite Software Is Being Here. “[Nguyen’s] video works, which explore American mythologies, visual culture, and digital labor practices, unfold uncanny worlds from shreds of history,” she writes.
Read the Profile

Post Date: 05-20-2025

Kelly Reichardt’s Film The Mastermind Will Premiere at Cannes

The Mastermind, a new film by S. William Senfeld Artist in Residence Kelly Reichardt, will premiere at the 2025 Cannes Film Festival this month. Following an art thief in 1970s Massachusetts who plans his first heist, it stars Josh O’Connor and Alana Haim as well as alumna Gaby Hoffmann ’04.

Kelly Reichardt’s Film The Mastermind Will Premiere at Cannes

The Mastermind, a new film by S. William Senfeld Artist in Residence Kelly Reichardt, will premiere at the 2025 Cannes Film Festival this month. The Mastermind is about an art thief in 1970s Massachusetts who plans his first heist. It stars Josh O’Connor and Alana Haim, as well as alumna Gaby Hoffmann ’04 as part of the film’s stellar ensemble cast.

Reichardt has taught in the Film and Electronic Arts program at Bard since 2006. Her last film, Showing Up, also premiered at Cannes and was named one of the top ten indie films of 2023 by the National Board of Review of Motion Pictures.
First Look at The Mastermind

Post Date: 05-06-2025

Two Bard College Faculty Members Named 2025 Guggenheim Fellows

The John Simon Guggenheim Memorial Foundation has awarded 2025 Guggenheim Fellowships to Bard College Assistant Professor of Photography Lucas Blalock ’02 and Bard College Visiting Artist in Residence Gwen Laster. Chosen through a rigorous application and peer review process from a pool of nearly 3,500 applicants, Blalock, who teaches in the Photography Program, and Laster, who teaches in the Music Program, were tapped based on both prior career achievement and exceptional promise. Bard MFA alum Jordan Strafer ’20 was also named Guggenheim Fellow for 2025.

Two Bard College Faculty Members Named 2025 Guggenheim Fellows

The John Simon Guggenheim Memorial Foundation has awarded 2025 Guggenheim Fellowships to Bard College Assistant Professor of Photography Lucas Blalock ’02 and Bard College Visiting Artist in Residence Gwen Laster. Chosen through a rigorous application and peer review process from a pool of nearly 3,500 applicants, Blalock, who teaches in the Photography Program, and Laster, who teaches in the Music Program, were tapped based on both prior career achievement and exceptional promise. Bard MFA alum Jordan Strafer ’20 was also named Guggenheim Fellow for 2025. As established in 1925 by founder Senator Simon Guggenheim, each fellow receives a monetary stipend to pursue independent work at the highest level under “the freest possible conditions.” Blalock, Laster, and Strafer are among 198 distinguished individuals working across 53 disciplines appointed to the 100th class of Guggenheim Fellows.

“At a time when intellectual life is under attack, the Guggenheim Fellowship celebrates a century of support for the lives and work of visionary scientists, scholars, writers, and artists,” said Edward Hirsch, award-winning poet and president of the Guggenheim Foundation. “We believe that these creative thinkers can take on the challenges we all face today and guide our society towards a better and more hopeful future.”

In all, 53 scholarly disciplines and artistic fields, 83 academic institutions, 32 US states and the District of Columbia, and two Canadian provinces are represented in the 2025 class, who range in age from 32 to 79. More than a third of the 100th class of fellows do not hold a full-time affiliation with a college or university. Many fellows’ projects directly respond to timely themes and issues such as climate change, Indigenous studies, identity, democracy and politics, incarceration, and the evolving purpose of community. Since its founding in 1925, the Guggenheim Foundation has awarded over $400 million in fellowships to more than 19,000 fellows. The 100th class of Fellows is part of the Guggenheim Foundation’s yearlong celebration marking a century of transformative impact on American intellectual and cultural life.

Lucas Blalock is a Brooklyn-based photographer whose work is in the collections of the Dallas Museum of Art, Guggenheim Museum, Hammer Museum, Metropolitan Museum of Art, Museum of Fine Arts Boston, Portland Museum of Art, and the Whitney Museum of American Art, among many others. Recent solo exhibitions include Florida, 1989, at Galerie Eva Presenhuber, New York; Insoluble Pancakes, Galerie Rodolphe Janssen, Brussels; and An Enormous Oar, Institute of Contemporary Art, Los Angeles; recent group exhibitions include venues in Oslo, Miami, Moscow, Berlin, Beirut, Minneapolis, and New York, where his work was selected for the Whitney Biennial 2019. He and his art have been profiled in publications including Arforum, the New York Times, New Yorker, Art in America, Brooklyn Rail, BOMB Magazine, W Magazine, British Journal of Photography, and Time. He has published essays and interviews as author in the journal Objectiv, IMA Magazine, BOMB, Foam, and Mousse, among others. He previously taught at the School of Visual Arts; Steinhardt School of Culture, Education, and Human Development, New York University; Sarah Lawrence College; and the MFA Program at Ithaca College. He also served as visiting lecturer on visual and environmental studies at Harvard University. He received his BA from Bard College and MFA from the University of California, Los Angeles.

Gwen Laster is a nationally acclaimed musician who has been the recipient of awards from the National Endowment for the Arts, Jubilation Foundation, Puffin Foundation, Arts Mid Hudson, Lila Wallace, and the Cognac Hennessey 1st place Jazz Search. A native Detroiter, her creative influences come from the Motor City’s exciting urban and classical music culture. Laster started improvising and composing because of her parents’ love of jazz, blues, soul, and classical music, and her inspiring music teachers from Detroit’s public schools. Laster relocated to New York City after earning two music degrees from the University of Michigan. Laster is many things: A virtuoso violinist with exquisite taste. An adventurous composer, arranger and orchestrator. A classically-trained artist with a deep appreciation for America's musical history, and a scholar of African-American musical heritage. A socially conscious activist and educator who understands the power of music to reach and touch everyday people.

Post Date: 04-15-2025
More Film and Electronic Arts News
  • Professor Joshua Glick Writes About AI in Film for the Los Angeles Review of Books

    Professor Joshua Glick Writes About AI in Film for the Los Angeles Review of Books

    Associate Professor of Film and Electronic Arts Joshua Glick critiqued the movie Here in the Los Angeles Review of Books. He considers the movie through the lens of its use of AI, finding that the film’s dependence on the technology mirrors “an embattled film and television industry in dire need of creative reinvigoration and struggling to find a path forward.” Glick analyzes the film’s machine-learning AI, which lets Here represent thousands of years across time and de-age its two main actors: “while Here aimed to be a proof of concept for how AI could be ethically applied to a project at a moment when labor unions, cinephiles, and a wary public have risen up against it, the film once again exposed its fault lines.”

    Glick has taught at Bard since 2022 and his research focuses on comparative histories of film, television, and radio and the use of emerging technologies. In 2023, he wrote about the emergence of AI in Hollywood for Wired Magazine.
    Read the Piece in LARB

    Post Date: 02-17-2025
  • Filmmaker Ephraim Asili Named a 2025 United States Artists Fellow

    Filmmaker Ephraim Asili Named a 2025 United States Artists Fellow

    Ephraim Asili MFA ’11, associate professor and director of film and electronic arts, has been selected as one of 50 artists to receive a 2025 United States Artists (USA) Fellowship. Each year, individual artists and collaboratives are anonymously nominated to apply by a geographically diverse and rotating group of artists, scholars, critics, producers, curators, and other arts professionals. USA Fellowships are annual $50,000 unrestricted awards recognizing the most compelling artists working and living in the United States, in all disciplines, at every stage of their career. 

    “My approach to filmmaking is both hybrid and experimental. My films often alternate between essayistic or observational documentary form, narrative fiction, and self-reflexive gestures which foreground how the film medium itself, and the filmmaker using it, frame lived experience,” says Asili.

    Ephraim Asili is an African American artist and educator whose work focuses on the African diaspora as a cultural force. Often inspired by his quotidian wanderings, Asili creates art that situates itself as a series of meditations on the everyday. He received his BA in Film and Media Arts from Temple University and his MFA in Film and Interdisciplinary Art at Bard College. Asili’s films have screened in festivals and venues all over the world, including the New York Film Festival, Toronto International Film Festival, The Berlinale, and the International Film Festival Rotterdam. Asili’s 2020 feature debut The Inheritance premiered at the 2020 Toronto International Film Festival and was recently the focus of an exhibition at the Whitney Museum of American Art where it is a part of their permanent collection. In 2021 Asili was the recipient of a Guggenheim Fellowship. During the summer of 2022 Asili directed a short film Strange Math along with the 2023 Men’s Spring/Summer fashion show for Louis Vuitton. In 2023, Asili was the recipient of a Harvard Radcliffe Fellowship, and in 2024 Asili was awarded a grant from Creative Capital. 

    Sancia Miala Shiba Nash '19 and Drew K. Broderick MA ’19 of kekahi wahi also won a 2025 United States Artists fellowship. kekahi wahi was instigated in 2020 by filmmaker Sancia Miala Shiba Nash and artist Drew K. Broderick. The grassroots film initiative is committed to documenting transformations across the Hawaiian archipelago and sharing stories of the greater Pacific through time-based media. 
    Read about the 2025 USA Fellows

    Post Date: 02-03-2025
  • Filmmaker Kelly Reichardt, Artist in Residence at Bard, in Conversation with Alum Connor Williams ’18 for Interview Magazine

    Filmmaker Kelly Reichardt, Artist in Residence at Bard, in Conversation with Alum Connor Williams ’18 for Interview Magazine

    Kelly Reichardt, S. William Senfeld Artist in Residence at Bard College, spoke with Bard alum Connor Williams ’18 for a profile in Interview Magazine. “Reichardt’s body of work is remarkable for its consistency in quality and creative vision,” Williams writes. “She simply hasn’t made a film that wasn’t great.” In conversation with Williams, Reichardt discusses what she’s learned from her first film jobs years ago, her long-lasting collaborative friendships, and introducing students to her understanding of the cultural and cinematic canon. “I just wouldn’t really be connected with that generation if I didn’t teach,” she said. “I like being around young people and being in the flow of that conversation.”
    Read more in Interview Magazine

    Post Date: 08-06-2024
  • “What would be the Asili method?” Professor Ephraim Asili MFA ’11 Interviewed by ArtReview

    “What would be the Asili method?” Professor Ephraim Asili MFA ’11 Interviewed by ArtReview

    “The first question they ask when you want to start making a film is: who is your target audience?” said Ephraim Asili MFA ’11, associate professor and director of film and electronic arts, in an interview with ArtReview. Touching on topics as broad as the history of the avant-garde and the three-act structure functioning as a “cage,” Asili was also asked what defines the “Asili method.” His answer was that it all came back to that question of audience and, for Asili, the desire to make movies that would please him as a viewer. “I want to make something to the best of my ability that is compelling to me, as compelling as I can make it for myself, and then I assume that it might be interesting to other people.”
    Read More in ArtReview

    Post Date: 07-30-2024
  • Bomb Magazine Interviews Artist and Filmmaker Tiffany Sia ’10 about Her New Book, On and Off-Screen Imaginaries

    Bomb Magazine Interviews Artist and Filmmaker Tiffany Sia ’10 about Her New Book, On and Off-Screen Imaginaries

    Bard alumna Tiffany Sia ’10 thinks and works across text and film. Her newest book, On and Off-Screen Imaginaries, is a collection of six essays that grapple with the complexities of post-colonial experience. The first three essays focus on new Hong Kong cinema and examine the national security policies, censorship, surveillance that followed Hong Kong’s mass protests in 2019 and 2020. The second half of the book “abruptly drifts toward other geographies, specifically the US, as I challenge how dominant Asian American aesthetics conceive of a falsely unified imaginary of Asia and its politics,” says Sia. She reimagines the work of Vietnamese American photographer An-My Lê in one essay and the work of Taiwanese filmmaker King Hu in another. “The essays trace a shift in my focus beyond Hong Kong––toward the ‘elsewhere’ sites of the Cold War, such as Vietnam, Taiwan, and even Lithuania and Turkey, in brief mention––and facile East-West tensions to illuminate a lattice of North-South tensions and their vexing histories and politics,” says Sia, who recently won the prestigious 2024 Art Baloise Prize, which carries an award of approximately $33,400.
    Read the interview in Bomb

    Post Date: 07-09-2024
  • Two Bard College Graduates Win 2024 Fulbright Awards

    Two Bard College Graduates Win 2024 Fulbright Awards

    Two Bard College graduates have won 2024–25 Fulbright Awards for individually designed research projects and English teaching assistantships. During their grants, Fulbrighters meet, work, live with, and learn from the people of the host country, sharing daily experiences. The Fulbright program facilitates cultural exchange through direct interaction on an individual basis in the classroom, field, home, and in routine tasks, allowing the grantee to gain an appreciation of others’ viewpoints and beliefs, the way they do things, and the way they think. Bard College is a Fulbright top producing institution.

    Sara Varde de Nieves ’22, who was a joint major in film and electronic arts and in human rights at Bard, has been selected for a Fulbright Study/Research Award to Chile for the 2024–25 academic year. Their project, “Regresando al Hogar/Returning Home,” aims to preserve the legacy of Villa San Luis, a large-scale public housing complex built in Las Condes, Santiago, Chile from 1971 to 1972. Through a multi-format documentary comprising interviews with former residents and project planners, archival documents, and footage of the current buildings, Varde de Nieves seeks to capture the collective memory of Villa San Luis’s original residents and planners. In executing this project, Varde de Nieves aims to expand the label of “heritage conservation” to include buildings and infrastructure that are not considered culturally significant as classic historical monuments and to make connections among narrative, memory, ephemera, and the historical archive. “I’m very excited to conduct in-person research on Villa San Luis, an innovative project that strove for class integration and high-quality construction. During my time abroad, I hope to foster long-lasting relationships and get acquainted with Chile's fascinating topography,” says Varde de Nieves.

    While at Bard, Varde de Nieves worked as an English language tutor in Red Hook as well as at La Voz, the Hudson Valley Spanish language magazine. Their Senior Project, “Re-igniting the Clit Club,” a documentary about a queer party in the Meatpacking district during the 1990s, won multiple awards at Bard.

    Jonathan Asiedu ’24, a written arts major, has been selected for an English Teaching Assistantship (ETA) Fulbright to Spain. His teaching placement will be in the Canary Islands. While in Spain, Asiedu plans to hold weekly poetry workshops in local cultural centers, communities, and schools. He hopes to invite the community to bring in their work or poems that speak to them, to share poets and writers and the ways they speak to us. “Studying poetry, learning pedagogical practices to inform my future as an educator, and mentorship opportunities throughout my college career have shaped both my perception of education and the work that needs to be done to improve students’ experiences within the educational system,” he says.

    At Bard, Asiedu serves as a lead peer counselor through Residence Life, an Equity and Inclusion Mentor with the Office of Equity and Inclusion, admission tour guide, and works as a campus photographer. Moreover, this past year, he gained TESOL certification and has served as an English language tutor, as well as a writing tutor at the Eastern Correctional Facility through the Bard Prison Initiative. Asiedu, who is from the South Bronx, decided early on that he wanted to speak Spanish and has taken the Spanish Language Intensive at Bard, which includes four weeks of study in Oaxaca, Mexico. After the completion of his Fulbright ETA, he plans to pursue a master degree in education with a specialization in literature from Bard’s Master of Arts in Teaching program.

    Three Bard students have also been named alternates for Fulbright Awards. Bard Conservatory student Nita Vemuri ’24, who is majoring in piano performance and economics, is an alternate for a Fulbright Study/Research Award to Hungary. Film and electronic arts graduate Elizabeth Sullivan ’23 is an alternate for a Fulbright Study/Research Award to Germany. Mathematics major Skye Rothstein ’24 is an alternate for a Fulbright Study/Research Award to Germany.

    Fulbright is a program of the US Department of State, with funding provided by the US Government. Participating governments and host institutions, corporations, and foundations around the world also provide direct and indirect support to the program.

    Fulbright alumni work to make a positive impact on their communities, sectors, and the world and have included 41 heads of state or government, 62 Nobel Laureates, 89 Pulitzer Prize winners, 80 MacArthur Fellows, and countless leaders and changemakers who build mutual understanding between the people of the United State and the people of other countries.

    Post Date: 05-07-2024

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2024

Tuesday, November 19, 2024
Avery Auditorium  7:00 pm – 9:00 pm EST/GMT-5
Acclaimed independent filmmaker Cynthia Madansky will screen five films from her "Radical Feminist" series. The films explore the legacy and work of renowned writers Lorraine Hansberry, Leyla Erbil, Katerina Gogou, Clarice Lispector, and Anna Alchuk.

Madansky's film projects more broadly engage with cultural and political themes, such as identity, nationalism, the transgression of borders, displacement, nuclear arms and war foregrounding the consequences of politics on the daily lives of individuals. Her award-winning films have been shown at numerous international venues including: the MoMA, The Berlin Film Festival, Rotterdam Film Festival, Cinema du Reel in Paris, Tehran Film Festival, and more. She is the recipient of a Guggenheim Fellowship.


Wednesday, October 23, 2024
  Director Natalie Zimmerman and producer Guetty Felin in attendance!
Avery Art Center; Avery/Ottaway Theater  7:30 pm – 9:00 pm EDT/GMT-4
Oceania: Journey to the Center, a film by Natalie Zimmerman and Tekinati Ruka, begins on a coral atoll predicted to become uninhabitable by 2030 due to rising sea levels and temperatures brought by climate change. We are invited on a journey with a mother and her adult son as they strive to maintain their culture, freedom, and independence after decades of colonizing encounters. Join us for the screening!


Download: OceaniaFEA.pdf

Thursday, April 25, 2024
Avery Art Center; Ottaway Theater in the Ottaway Film Center  5:30 pm – 7:30 pm EDT/GMT-4
Synopsis
Filmmaker Jon-Sesrie Goff returns to the coastal South Carolina land that his family purchased after emancipation. His desire to explore his Gullah Geechee roots evolves into a poetic documentary weaving stories about generational wisdom, inheritance, faith, survival, and the tensions that define our collective American history, especially Black history. www.aftersherman.com
 
Bio
Jon-Sesrie Goff is a multidisciplinary artist, curator, and arts administrator.  His creative practice explores the intersection of race, power, identity, gender, and the environment by unearthing the visceral representational value and authenticity behind the images propelled across varying diasporas. His body of work includes extensive institutional, community, and family archival research, visual documentation, and oral history. Jon engages with his work from the paradigm of a social change instigator. He studied sociology, economics, and theater at Morehouse College, completed his BA at The New School, along with an MFA from Duke University in experimental and documentary arts.


Friday, March 29, 2024
with filmmaker Iryna Tsilyk in person!
Avery Auditorium  5:00 pm – 7:30 pm EDT/GMT-4
Set in 1990s Ukraine, this spanning coming-of-age story follows Tymophii and his friendship with a peculiar but intriguing older man whose entire life is shrouded in secrecy. Based on the autobiography "Who Are You?" by Artem Chekh, this drama—with glints of humor—presents a portrait of post-Soviet life that addresses the traumas of war by shuttling between the domestic and public, the personal and the communal. Critic Rich Cline writes, “Shot in superbly visual sets and locations, the film’s narrative unfolds in understated anecdotal scenes that feel bracingly true to life.” 

Iryna Tsilyk is a Ukrainian film director and writer. She is the director of the award-winning documentary film The Earth is Blue as an Orange, which received the award for the best director at the Sundance Film Festival 2020, as well as dozens of other prestigious honors. Tsilyk is also the director of the fiction film Rock. Paper. Grenade based on the novel "Who Are You?" by Ukrainian writer and Iryna's husband Artem Chekh. Additionally, Iryna Tsilyk is the author of 8 books (poetry, prose, children's editions). Her poems and short stories have been translated into several languages and published in a number of international literary magazines and anthologies. During Russia's full-scale war in Ukraine, Iryna also began writing columns and essays for various international publications and has been engaged in cultural diplomacy for her country. Iryna and her family live in Kyiv. Iryna’s husband, Ukrainian writer Artem Ckekh, is serving in the Armed Forces of Ukraine.


Tuesday, March 26, 2024
Avery Art Center; Theater in the Ottaway Film Center  5:00 pm – 6:30 pm EDT/GMT-4
Joana Pimenta is a filmmaker from Portugal, living and working in the United States and Brazil. Her latest film Dry Ground Burning, codirected with Adirley Queirós, tells the story of the Gasolineiras de Kebradas, a group of women from the periphery of Sol Nascente who steal oil and resist Bolsonaro’s presidency. Dry Ground Burning premiered at the Berlin Film Festival and screened at the New York Film Festival and Toronto International Film Festival, among many others, receiving more than 30 awards around the world. It was a film of the year for publications such as Artforum, Sight and Sound, and Film Comment, and received glowing reviews in the New York Times, the Guardian, and Le Monde, among others. Dry Ground Burning had theatrical releases in the United States, France, Germany, Brazil, Portugal, and Argentina, among other countries. Pimenta teaches in the department of Art, Film, and Visual Studies at Harvard University, where she is director of graduate studies for Critical Media Practice and director of the Film Study Center.


Thursday, March 14, 2024
Avery Art Center; Ottaway Theater in the Ottaway Film Center  5:00 pm – 6:30 pm EDT/GMT-4
Alison Nguyen is a New York-based artist whose work spans video, installation, performance, and sculpture. Her work has been presented at the Museum of Modern Art, MIT List Center for Visual Arts, National Museum of Modern and Contemporary Art Korea, the Everson Museum, the Dowse Art Museum, e-flux, the International Studio & Curatorial Program, op.cit., AC Gallery Beijing, Signs and Symbols KAJE, Ann Arbor Film Festival, International Film Festival Oberhausen, Channels Festival International Biennial of Video Art, True/False Film Festival, and Microscope Gallery. Nguyen received her MFA in visual art from Columbia University and her BA in literary arts from Brown University. She is a 2023–2024 artist in the Whitney Independent Studies Program.


Tuesday, March 12, 2024
Avery Art Center; Theater in the Ottaway Film Center  5:00 pm – 6:30 pm EDT/GMT-4
Suneil Sanzgiri is an Indian-American artist, researcher, and filmmaker. Spanning experimental video and film, animations, essays, and installations, his work contends with questions of identity, heritage, culture, and diaspora in relation to structural violence and anticolonial struggles across the Global South. Sanzgiri’s films offer sonic and visual journeys through family history, local mythology, and colonial legacies of extraction in Goa, India—where his family originates. His first institutional solo exhibition Here the Earth Grows Gold opened at the Brooklyn Museum in October 2023. His films have circulate widely at film festivals and art institutions across the world including International Film Festival Rotterdam, New York Film Festival, Hong Kong International Film Festival, Camden International Film Festival, Sheffield Doc/Fest, Doclisboa, Viennale, BlackStar Film Festival, Open City Docs, REDCAT, Menil Collection, Block Museum, MASS MoCA, moCa Cleveland, Le Cinéma Club, Criterion Collection, and many more.


Thursday, March 7, 2024
Avery Art Center; Theater in the Ottaway Film Center  5:00 pm – 6:30 pm EST/GMT-5
Hao Zhou is a filmmaker from southwest China. Exploring Queer relationships, diasporic themes, and traditionally overlooked spaces, Zhou’s films have been selected by the Berlinale, SXSW, Hong Kong, Sarajevo, UCCA Center for Contemporary Art, Images Festival, Outfest, and BlackStar, among others. Zhou’s feature The Night, which centers on Queer sex workers in China, premiered at the Berlinale and won top prizes at other international festivals. In 2021, Zhou’s experimental documentary Frozen Out won a Gold Medal at the 48th Student Academy Awards. “Here, Hopefully,” Zhou’s 2023 short documentary, follows a nonbinary aspiring American in Iowa (distributed by PBS). Zhou’s latest film, Wouldn’t Make It Any Other Way, follows a genderqueer costume designer between Iowa and Guam.

An alum of Cannes’ Résidence and Berlinale Talents, Zhou has made work with funding from IF/Then × Hulu, Firelight Media/CAAM, Talents Tokyo/TOKYO FILMeX, Art With Impact, Frameline, Iowa Arts Council, and other organizations. They received an MFA in film and an MA in photography/intermedia from the University of Iowa.