Film and Electronic Arts

Critical thinking and creative work go hand in hand in the Film and Electronic Arts Program, which integrates a wide variety of creative practices with the study of history and criticism of the medium.

Jacqueline Goss, Professor of Film and Electronic Arts. Photo by Pete Mauney ’93 MFA ’00

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All production majors take required courses in film history while pursuing filmmaking. A student writing a Senior Project in the history of film or video will have taken one or two production workshops.

BARD FILM AND ELECTRONIC ARTS — CLASS OF 2021 FILMS TRAILER

Areas of Study

The program encourages interest in a wide range of expressive modes in film and electronic arts. These include animation, narrative and non-narrative filmmaking, documentary, performance, and installation practices. Regardless of a student’s choice of specialization, the program’s emphasis leans toward neither fixed professional formulas nor mere technical expertise, but rather toward imaginative engagement and the cultivation of an individual voice that has command over the entire creative process. For example, a student interested in narrative filmmaking would be expected to write an original script, shoot it, and then edit the film into its final form. Students are also expected to take advantage of Bard’s liberal arts curriculum by studying subjects that relate to their specialties.

NEWSROOM

Bard Film Professor Ephraim Asili Directs Louis Vuitton’s Spring-Summer 2023 Men’s Fashion Show in Paris

Assistant Professor of Film and Electronic Arts and Director of Film and Electronic Arts Ephraim Asili directed the Louis Vuitton Spring-Summer 2023 Men’s fashion show in Paris. A tribute to Victor Abloh, fashion designer and creative director for Louis Vuitton who passed away in November 2021, the show opened with a cinematic prelude conceived and directed by Asili. Asili’s film, titled Strange Math, explores the relationship between imagination and reality, which are central themes to the collection.

Bard Artist in Residence Kelly Reichardt Wins Carrosse d’Or, Premieres New Film Showing Up at Cannes Festival

Kelly Reichardt, S. William Senfeld Artist in Residence, received the Carrosse d’Or (or the Golden Coach), presented annually by France’s Society of Film Directors at the Cannes Film Festival. The honor pays tribute to “directors of innovative works with an uncompromising and daring spirit in directing and production.” Reichardt’s eighth feature, the “exquisite” art-scene comedy-drama Showing Up, is screening in competition at Cannes—one of only three of the 18 competition selections that are directed by women. The film finds Reichardt collaborating again with the actor Michelle Williams, with whom she began working more than a decade ago.

Bard Alumna Tiffany Sia ’10 and Assistant Professor Sky Hopinka Spoke on the Next Wave of Anticolonial Cinema for Art in America

In conversation with Emma Wolukau-Wanambwa, Bard alumna Tiffany Sia ’10 and Assistant Professor Sky Hopinka imagined “anticolonial futures for the moving image” for Art in America. Their conversation touched on filmic intentionality, the proliferation of moving images on social media, and “the idea of film as witness.”

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