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Film and Electronic Arts

Critical thinking and creative work go hand in hand in the Film and Electronic Arts Program, which integrates a wide variety of creative practices with the study of history and criticism of the medium.
Jacqueline Goss, Professor of Film and Electronic Arts. Photo by Pete Mauney ’93 MFA ’00
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All production majors take required courses in film history while pursuing filmmaking. A student writing a Senior Project in the history of film or video will have taken one or two production workshops.

Bard Film and Electronic Arts Class of 2024 Film Montage
 

Watch a selection of clips from Senior Projects by the Class of 2024!

Areas of Study

The program encourages interest in a wide range of expressive modes in film and electronic arts. These include animation, narrative and non-narrative filmmaking, documentary, performance, and installation practices. Regardless of a student’s choice of specialization, the program’s emphasis leans toward neither fixed professional formulas nor mere technical expertise, but rather toward imaginative engagement and the cultivation of an individual voice that has command over the entire creative process. For example, a student interested in narrative filmmaking would be expected to write an original script, shoot it, and then edit the film into its final form. Students are also expected to take advantage of Bard’s liberal arts curriculum by studying subjects that relate to their specialties.

 


NOTICE
The LPFM application filed by the Film and Electronic Arts program at Bard College for 97.3 in Tivoli, NY  has been accepted for filing by the FCC on January 2, 2024. The public notice of this acceptance can be found here.

Contact Us

Reach out by email or call us at 845-758-7253.

NEWSROOM

Filmmaker Kelly Reichardt, Artist in Residence at Bard, in Conversation with Alum Connor Williams ’18 for Interview Magazine

Kelly Reichardt, S. William Senfeld Artist in Residence at Bard College, spoke with Bard alum Connor Williams ’18 for a profile in Interview Magazine. “Reichardt’s body of work is remarkable for its consistency in quality and creative vision,” Williams writes. “She simply hasn’t made a film that wasn’t great.”

“What would be the Asili method?” Professor Ephraim Asili MFA ’11 Interviewed by ArtReview

“The first question they ask when you want to start making a film is: who is your target audience?” said Ephraim Asili MFA ’11, associate professor and director of film and electronic arts, in an interview with ArtReview. Touching on topics as broad as the history of the avant-garde and the three-act structure functioning as a “cage,” Asili was also asked what defines the “Asili method.”

Bomb Magazine Interviews Artist and Filmmaker Tiffany Sia ’10 about Her New Book, On and Off-Screen Imaginaries

Bard alumna Tiffany Sia ’10 thinks and works across text and film. Her newest book, On and Off-Screen Imaginaries, is a collection of six essays that grapple with the complexities of post-colonial experience. The first three essays focus on new Hong Kong cinema and examine the national security policies, censorship, surveillance that followed Hong Kong’s mass protests in 2019 and 2020. The second half of the book “abruptly drifts toward other geographies,” says Sia.