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Bard Film Professor Ephraim Asili Directs Louis Vuitton’s Spring-Summer 2023 Men’s Fashion Show in Paris

Assistant Professor of Film and Electronic Arts and Director of Film and Electronic Arts Ephraim Asili directed the Louis Vuitton Spring-Summer 2023 Men’s fashion show in Paris. A tribute to Victor Abloh, fashion designer and creative director for Louis Vuitton who passed away in November 2021, the show opened with a cinematic prelude conceived and directed by Asili. Asili’s film, titled Strange Math, explores the relationship between imagination and reality, which are central themes to the collection. 

Bard Film Professor Ephraim Asili Directs Louis Vuitton’s Spring-Summer 2023 Men’s Fashion Show in Paris

Assistant Professor of Film and Electronic Arts and Director of Film and Electronic Arts Ephraim Asili directed the Louis Vuitton Spring-Summer 2023 Men’s fashion show in Paris. A tribute to Victor Abloh, fashion designer and creative director for Louis Vuitton who passed away in November 2021, the show opened with a cinematic prelude conceived and directed by Asili. Asili’s film, titled Strange Math, explores the relationship between imagination and reality, which are central themes to the collection. The show’s soundtrack was a combination of the score for the film, “Enlightenment” by the Sun Ra Arkestra, Florida A&M University in Tallahassee's a live performing marching band The Marching 100, and featured live performance by Kendrick Lamar. 
Read more in Vogue

Post Date: 07-05-2022

Bard Artist in Residence Kelly Reichardt Wins Carrosse d’Or, Premieres New Film Showing Up at Cannes Festival

Kelly Reichardt, S. William Senfeld Artist in Residence, received the Carrosse d’Or (or the Golden Coach), presented annually by France’s Society of Film Directors at the Cannes Film Festival. The honor pays tribute to “directors of innovative works with an uncompromising and daring spirit in directing and production.” Reichardt’s eighth feature, the “exquisite” art-scene comedy-drama Showing Up, is screening in competition at Cannes—one of only three of the 18 competition selections that are directed by women. The film finds Reichardt collaborating again with the actor Michelle Williams, with whom she began working more than a decade ago.

Bard Artist in Residence Kelly Reichardt Wins Carrosse d’Or, Premieres New Film Showing Up at Cannes Festival

Kelly Reichardt, S. William Senfeld Artist in Residence, received the Carrosse d’Or (or the Golden Coach), presented annually by France’s Society of Film Directors at the Cannes Film Festival. The honor pays tribute to “directors of innovative works with an uncompromising and daring spirit in directing and production.” Reichardt’s eighth feature, the “exquisite” art-scene comedy-drama Showing Up, is screening in competition at Cannes—one of only three of the 18 competition selections that are directed by women. The film finds Reichardt collaborating again with the actor Michelle Williams, with whom she began working more than a decade ago.
Full Story in LA Times

Post Date: 06-07-2022

Bard Alumna Tiffany Sia ’10 and Assistant Professor Sky Hopinka Spoke on the Next Wave of Anticolonial Cinema for Art in America

In conversation with Emma Wolukau-Wanambwa, Bard alumna Tiffany Sia ’10 and Assistant Professor Sky Hopinka imagined “anticolonial futures for the moving image” for Art in America. Their conversation touched on filmic intentionality, the proliferation of moving images on social media, and “the idea of film as witness.”

Bard Alumna Tiffany Sia ’10 and Assistant Professor Sky Hopinka Spoke on the Next Wave of Anticolonial Cinema for Art in America

In conversation with Emma Wolukau-Wanambwa, Bard alumna Tiffany Sia ’10 and Assistant Professor Sky Hopinka imagined “anticolonial futures for the moving image” for Art in America. Sia spoke to her current interests in the proliferation of moving images on social media and “the idea of film as witness.” “Film is potentially incriminating, if someone is documented doing something that may be considered a criminal act,” Sia said. Hopinka spoke to filmic intentionality, both with respect to its production and its audience. “I’m interested in focusing on very specific things within my own beliefs, family, tribe, or region,” Hopinka said, “not in catering to a white audience or white gaze.”
Full Conversation in Art in America

Post Date: 05-24-2022
More Film and Electronic Arts News
  • Three Bard Faculty Pen Reviews for May 2022 Edition of Artforum

    Three Bard Faculty Pen Reviews for May 2022 Edition of Artforum

    Edith C. Blum Professor of Art History Susan Aberth, Critic in Residence Ed Halter, and Assistant Professor of Art History and Visual Culture Alex Kitnick were published in the May 2022 edition of Artforum, alongside alumnus Tim Griffin MFA ’99. Aberth reviewed Supernatural America: The Paranormal in American Art, an exhibition on view now at the Minneapolis Institute of Art, which includes work Aberth says “inspires us as we depart to contemplate how limited our human perceptions of this world and everything that surrounds it really are.” Halter reviewed the work of the Otolith Group, seeing in their body of work “intimations of a sixth sense that may be cinema’s truly primary role, an inner sense of space and time, of forward motion—that is to say, our deepest sense of orientation in the world, the basis for all image schemas and conceptual mapping.” Kitnick reviewed Lifes, on view now at the Hammer Museum in Los Angeles, an eclectic exhibition that includes, among other things, “nine marble lions occasionally mounted by dancers” and “a neo-Constructivist monument to interspecies intermingling.” Finally, Griffin reviewed the work of Virginia Overton, noting that her various sculptures “never quite let go of their histories.” 

    Read “Don’t Give up the Ghost” by Aberth
     
    Read “Today, in a Hundred Years” by Halter
     
    Read “Group Think” by Kitnick

    Read “Make History” by Griffin

    Post Date: 05-10-2022
  • Bard Professor Sky Hopinka Honored with International Center of Photography 2022 Infinity Award in Art

    Bard Professor Sky Hopinka Honored with International Center of Photography 2022 Infinity Award in Art

    The International Center of Photography (ICP) has honored Sky Hopinka, assistant professor of film and electronic arts, with a 2022 Infinity Award in Art. “ICP’s annual Infinity Awards celebrate visionary photographers and the power of the image,” said David E. Little, Executive Director of ICP. “This year, we honor artists whose bodies of work focus on environmental justice, climate change, conservation, and related environmental issues—among the most critical concerns of our time. We are proud to acknowledge the winners not only for their work, but for their contributions to conversations furthering images and imagemaking as forms of empowerment and catalysts for social change.”
     
    The 2022 Infinity Award Categories and Recipients are: Sebastião Salgado (Lifetime Achievement), Gabriela Hearst (Trustees), Sky Hopinka (Art), Esther Horvath (Emerging Photographer) and  Acacia Johnson (Documentary Practice and Photojournalism). Recipients were honored at the 38th Annual Infinity Awards at Ziegfeld Ballroom in New York City. ICP is the world’s leading museum and school dedicated to photography and visual culture. Its annual Infinity Awards are among the leading honors for excellence in the field.
    Read More

    Post Date: 05-03-2022
  • New Red Order, the Indigenous Art Collective Cofounded by Bard Alumni Adam Khalil ’11 and Zack Khalil ’14, Will Both Curate and Produce Work for Counterpublic Triennial

    New Red Order, the Indigenous Art Collective Cofounded by Bard Alumni Adam Khalil ’11 and Zack Khalil ’14, Will Both Curate and Produce Work for Counterpublic Triennial

    Bard alumni Adam ’11 and Zack Khalil ’14, cofounders of the Indigenous art collective New Red Order, worked with Counterpublic on their upcoming triennial, which will run May 15 to August 15, 2023, “pulling double duty as both participating artists and curators,” writes Taylor Dafoe for Artnet. The triennial will be installed along a six-mile stretch of Jefferson Avenue in St. Louis, Missouri. New Red Order will produce work focusing on “what is locally referred to as Mound City, partnering with the Osage Nation to make a film documenting the tribe’s efforts to repatriate the landmark.” Alumna Diya Vij ’08 will also curate the exhibition.
    Read More on Artnet

    Post Date: 05-03-2022
  • Bard Sophomore Sydney Oshuna-Williams ’24 Honored as a Newman Civic Fellow

    Bard Sophomore Sydney Oshuna-Williams ’24 Honored as a Newman Civic Fellow

    Sydney Oshuna-Williams ’24, who is majoring in film and electronic arts and philosophy, has been recognized for her commitment to solving public problems. Campus Compact, a national coalition of colleges and universities working to advance the public purposes of higher education, has named Oshuna-Williams one of 173 student civic leaders who will make up the organization’s 2022–2023 cohort of Newman Civic Fellows. The Newman Civic Fellowship recognizes students who stand out for their commitment to creating positive change in communities locally and around the world. 
     
    As the founder of the Me In Foundation, Oshuna-Williams seeks to increase artistic education opportunities for underrepresented youth through social and cultural awareness year-round programming. In her first semester at Bard College, Oshuna-Williams created the Me In Foundation as a Trustee Leader Scholar project. The Foundation allows youth scholars to share their stories through a variety of different art forms and currently works with over one-hundred and fifty K-12 students in Upstate New York and Atlanta. Oshuna-Williams is also a Mogul in Training at Usher Raymond’s non-profit organization, Usher’s New Look, where she facilitates conversations centered around college and career readiness as well as financial literacy. Oshuna-Williams continues to use her passion for storytelling to bring untold truths to the surface because, as she says, “Every story deserves to be heard by the characters who live it."
     
    Through the fellowship, Campus Compact will provide these students with a year of learning and networking opportunities that emphasize personal, professional, and civic growth. Each year, fellows participate in numerous virtual training and networking opportunities to help provide them with the skills and connections they need to create large-scale positive change. The cornerstone of the fellowship is the Annual Convening of Fellows, which offers intensive skill-building and networking over the course of two days. The fellowship also provides fellows with pathways to apply for exclusive scholarship and post-graduate opportunities.
     
    The fellowship is named for the late Frank Newman, one of Campus Compact’s founders, who was a tireless advocate for civic engagement in higher education. In the spirit of Dr. Newman’s leadership, fellows are nominated by Campus Compact member presidents and chancellors, who are invited to select one outstanding student from their campus each year.
     
    “Sydney Oshuna-Williams, a second year Posse scholar at Bard College, is a very active student addressing mental health healing in our student body (as a peer health educator specializing in the healing of BIPOC students) and securing pathways to creative careers for kids in our neighboring communities. Sydney is currently serving as a peer counselor (Bard's version of residential advisor) to support students in their living environments and a Sister2Sister mentor (a student-led mentorship program providing guidance and opportunity to young women of color). Sydney also partners Bard's neighboring school districts with schools in her home state of Georgia to bridge opportunity across geographical limitations,” said Bard President Botstein.
    Read the Announcement Here
    Read more about Newman Civic Fellow Sydney Oshuna-Williams

    Post Date: 03-21-2022
  • Bard College Appoints Joshua Glick as Visiting Associate Professor of Film and Electronic Arts

    Bard College Appoints Joshua Glick as Visiting Associate Professor of Film and Electronic Arts

    Bard College’s Division of Arts is pleased to announce the appointment of Joshua Glick as Visiting Associate Professor of Film and Electronic Arts for a three-year period from 2022 to 2025. Professor Glick’s research and teaching focus is the comparative histories of film, television, and radio; nonfiction media; race and representation; and the civic uses of emerging technology. He will also be teaching in Experimental Humanities.

    Joshua Glick is the author of Los Angeles Documentary and the Production of Public History (University of California Press, 2018). Josh’s current book explores the rising interest in nonfiction on both the left and right of the political spectrum. It examines, in particular, the way documentary’s proliferation across new platforms has transformed the relationship between Hollywood, Silicon Valley, and Washington D.C. Josh is also actively involved in public humanities projects, collaborating with archives, museums, and community organizations. As a Fellow at the Open Documentary Lab at MIT, he recently designed the interactive online curriculum: Media Literacy in the Age of Deepfakes. He also co-curated the exhibition currently up at the Museum of the Moving Image in New York: Deepfake: Unstable Evidence on Screen. The show investigates the history of media manipulation, the rise of “deepfake” videos, and how synthetic media can be used for the public good. Josh holds a PhD in Film & Media Studies and American Studies from Yale University. Prior to coming to Bard, he was the Isabelle Peregrin Assistant Professor of English, Film & Media Studies at Hendrix College.

    Post Date: 02-02-2022
  • Masha Shpolberg Joins the Bard College Film and Electronics Arts Faculty

    Masha Shpolberg Joins the Bard College Film and Electronics Arts Faculty

    Bard College’s Division of Arts is pleased to announce the appointment of Masha Shpolberg as Assistant Professor of Film and Electronic Arts for a tenure-track position beginning in the 2022-2023 academic year. Professor Shpolberg’s research and teaching explore world cinema, with special attention to Russia and Eastern Europe, ecocinema, women’s cinema, and global documentary.

    Masha Shpolberg’s first book project focuses on the aesthetics of labor in Polish cinema of the late socialist period, examining how filmmakers sought out new ways of representing the laboring body at a time of massive workers' strikes—and how they co-opted, confronted, or otherwise challenged the representational legacy of socialist realism. She is also currently working on two edited volumes: Cinema and the Environment in Eastern Europe, forthcoming from Berghahn Books, and Contemporary Russian Documentary, under contract at Edinburgh University Press. Masha has contributed film criticism to Film Quarterly, Senses of Cinema, Tablet, and The Los Angeles Review of Books. She holds a Ph.D. in Film & Media Studies and Comparative Literature from Yale University. Prior to coming to Bard, Masha taught at Wellesley College and the University of North Carolina Wilmington.

    Post Date: 02-02-2022

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2022

Tuesday, April 19, 2022
Yemane Demissie (filmmaker, NYU)
Olin, Room 102  6:30 pm – 8:00 pm EDT/GMT-4
The Quantum Leapers, filmmaker Yemane Demissie’s forthcoming multimedia project, focuses on the buoyant and tumultuous experiences of Ethiopians during the reign of Emperor Haile Selassie I. Drawing from narratives of more than 500 interviews and thousands of images unearthed from the interviewees’ collections and dozens of international archives, the project considers how the 1935-1941 Italo-Ethiopian War and Occupation compelled the country to reevaluate its age-old traditions in the face of war, fascism and modernity.
 
At this lecture, Yemane will present stories revolving around the airplane—long an emblem of modernity—to explore the interlinked lives of four individuals who confront, embrace or glide with the sudden and immense changes brought about by war, occupation, and liberation.
 
Yemane Demissie teaches narrative and documentary filmmaking in the Department of Film & TV at NYU’s Tisch School of the Arts.

Please note: Due to copyright reasons, the presentations (in particular, the images) cannot be filmed. Photographs of the images/slides also cannot be taken by audience members during the presentation.

For more info, please contact Franco Baldasso: [email protected]

 


Thursday, April 14, 2022
Olin, Room 102  6:30 pm – 8:30 pm EDT/GMT-4
Based on the play Boris Godunov by Alexander Pushkin, Stage Russia’s cinematic version of Dmitry Krymov’s Boris (2019) is a metaphor about the fate of Russia, its rulers, and eternal values. Krymov is one of the world’s most renowned stage directors. His theatrical production draws tragic parallels between Pushkin’s text and the current Putin government with its fascination with the imperial past, nationalism, censorship, human rights violations, and blatant propaganda, as well as between the early 17th-century Russia and all the myths on which Russian identity now rests. A flying raven, a poet, a folk choir, saints and sinners, living and dead — all come to life in the twilight of the Provision Warehouses of the Museum of Moscow, the play’s mesmerizing setting. 


Thursday, March 31, 2022
  Preston  6:30 pm – 8:00 pm EDT/GMT-4

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