PEGGY AHWESH Professor of Film and Electronic Arts
B.F.A., Antioch College. Media Artist. Active in the media arts for over 20 years, Ahwesh has developed a practice including film production, feminist studies and media advocacy. Aptly described as a bricoleur, Ahwesh works in experimental narrative and documentary genres, often with improvisational performance, in what is primarily an investigation of cultural identity and role of the female subject. Distribution is through Electronic Arts Intermix, NY and Lightcone, Paris with work in the permanent collections of MoMA and the Library of Congress. She was in the 1991, 1995 and 2002 editions of the Whitney Biennial. Ahwesh has received grants from The Jerome, Creative Capital and Guggenheim Foundations, NYSCA and the Alpert Award in the Arts. Ahwesh is represented by Microscope Gallery, Brooklyn, NY. Find her on the web at Senses of Cinema, Great Directors Critical Database, World Picture Journal of Film Theory and the Elizabeth Sackler Center for Feminist Art at the Brooklyn Museum. At Bard since 1990.
B.A., Brown University; M.F.A., Milton Avery Graduate School of the Arts, Bard College. Has had work exhibited and screened at MoMA PS1’s Greater New York: Cinema (2010); Performa 09, New York (2009); Images Festival, Toronto (2009); and New Museum of Contemporary Art, New York (2008); among others. Has taught at Princeton University, Parsons The New School for Design, and the New School MA in Media Studies Program. At Bard since 2010.
B.A., Brown University; M.F.A., Rensselaer Polytechnic Institute. Recent video and web-based works include Stranger Comes to Town (2007), How to Fix the World (2004), There, There, Square (2002), The 100th Undone (2001). Recent exhibitions and screenings at American Museum of Natural History, Eyebeam Atelier, Rotterdam Film Festival, New York Film Festival, London Film Festival, Pacific Film Archives. Recipient, Alpert Award in the Arts (2007), DAAD Fellowship (2005), Creative Capital Award (2005), Jerome Foundation Award (2003), New York State Council on the Arts Award (2002), New York Foundation for the Arts Award (1998). Contributor to gURL, alt-x, and beehive websites. At Bard since 2001.
B.A., Yale University; M.A., New York University. Ed Halter is a critic and curator living in New York City. He is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, New York, and his writing has appeared in Artforum, The Believer, Bookforum, Cinema Scope, frieze, Little Joe, Mousse, Rhizome, Triple Canopy, the Village Voice and elsewhere. He is a 2009 recipient of the Creative Capital | Warhol Foundation Arts Writers Grant, and his book From Sun Tzu to Xbox: War and Video Games was published in 2006. From 1995 to 2005, he programmed and oversaw the New York Underground Film Festival, and he has curated screenings and exhibitions at Artists Space, BAM, the Flaherty Film Seminar, the ICA, London, the Museum of Modern Art, the New Museum, PARTICIPANT INC., and Tate Modern, as well as the cinema for Greater New York 2010 at MoMA PS1 and the film and video program for the 2012 Whitney Biennial. He teaches in the Film and Electronic Arts department at Bard College, and is currently writing a critical history of contemporary experimental cinema in America. At Bard since 2007.
B.F.A., M.F.A., San Francisco Art Institute. Taught at Hampshire College, Harvard University, SUNY Purchase. Filmmaker; has produced more than 20 films, most of which are portraits of cities and landscapes around the world. Retrospective, Museum of Modern Art (2008); work shown in major museums and at festivals in the United States and Europe, including Whitney Biennial (1985, 1991, 1995, 2004). Continuing work, since 1986, on series of landscape portraits of Hudson River Valley; also developing projects in Bangladesh and Iceland. Grants: National Endowment for the Arts, DAAD Berliner, Rockefeller Foundation, Dutch Film Critics Award, Guggenheim Fellowship. At Bard since 1984.
A.B., Dartmouth College; M.A., New York University. Writer and lecturer on filmmaking and film history. Taught at Queens College, Cooper Union, Princeton University, and Collective for Living Cinema. Associate editor, Downtown Review (1978–81). Articles on film, video, and poetry. Coeditor, Ten Years of Living Cinema (1982). At Bard since 1981.
B.F.A., School of the Museum of Fine Arts, Tufts University. American landscapes and narratives of the road are themes that run throughout Reichardt’s five feature films: RIVER OF GRASS (Strand Releasing, 1994), OLD JOY (Kino International, 2006), WENDY AND LUCY (Oscilloscope Pictures, 2008), MEEK’S CUTOFF (Oscilloscope Pictures, 2010) and NIGHT MOVES (Cinedigm, 2013); and the short narrative ODE (1999). Grants: United States Artists Fellowship, Guggenheim Fellowship, Anonymous Was A Woman Award, Renew Media Fellowship. Screenings: Whitney Biennial (2012), Film Forum, Cannes Film Festival in Un Certain Regard, Venice International Film Festival, Sundance Film Festival, Berlin International Film Festival, Toronto International Film Festival, International Film Festival Rotterdam, BFI London Film Festival. Retrospectives: Anthology Film Archives, Pacific Film Archive, Museum of the Moving Image, Walker Art Center, American Cinematheque Los Angeles. Has taught at School of Visual Arts, Columbia University, New York University and is currently an Artist-in-Residence at Bard College. At Bard since 2006.
B.A., Princeton University; M.A., M.Phil., joint Ph.D. (Film Studies and History of Art), Yale University. Film historian; has curated and organized retrospectives, series, traveling programs, and interdisciplinary conferences focusing on filmmakers, film movements, and particular moments from the silent era to the present at a number of venues including the Freer and Sackler Galleries of the Smithsonian Institution, Anthology Film Archives, Yale University, Yale University Art Gallery, Harvard Film Archive, Princeton University, and Bard College. Editor, Hou Hsiao-hsien (Austrian Film Museum/Columbia University Press, 2014). Frequent contributor to The Moving Image and Senses of Cinema; articles published or forthcoming in Perspectives on the Panorama (Yale University Press), Robert Bresson (Indiana University Press, 2012), Olivier Assayas (Austrian Film Museum/Columbia University Press, 2012), Ashish Avikunthak (Aicon Gallery, 2012), The Cinema World of Pedro Costa (Jeonju International Film Festival, 2010), Robert Beavers: My Hand Outstretched to the Winged Distance and Sightless Measure (Pacific Film Archive, 2009), Encyclopedia of the Documentary Film (Routledge, 2005), and the journals Studies in French Cinema and Positions: Asia Cultures Critique. Has taught at Yale Summer Film Institute. Recipient, Whiting Fellowship (2009-2010); Stavros S. Niarchos Research Fellowship (2008); others. At Bard since 2010.
Phone: 845-758-6822 ex.6482
EPHRAIM ASILI Technical Director
B.A. Film and Media Arts, Temple University, M.F.A Film & Video Arts, Bard College. Ephraim Asili is an African American filmmaker, D.J, radio host, and traveler. Inspired by his day-to-day wanderings, Asili creates art which positions itself as a series of meditations on everyday experience and media culture. Currently Asili works as Technical Director for the Film and Electronic Arts Department at Bard College and hosts a weekly radio show on WGXC 90.7 FM Acra, New York. Asili’s documentary on the Sun Ra Arkestra is currently in distribution with MVD distributors.
PACHO VELEZ teaching Documentary & Social Media Workshop
Pacho Velez’s filmmaking sits at the intersection of ethnography, structuralism, and political documentary. His films, though shot in different countries and using distinct formal strategies, each share a preoccupation with local responses to the broad changes wrought by globalization. In 2010, Pacho completed his MFA at CalArts. He now works and teaches between New York and Boston. He is a visiting professor at Bard College, a fellow at the Harvard Film Study Center and an affiliate of the Sensory Ethnography Lab. His new film, MANAKAMANA (co-directed with Stephanie Spray, produced by Lucien Castaing-Taylor and Véréna Paravel) premiered this summer and won a Golden Leopard at the Locarno Film Festival. His previous film and theater work have been featured worldwide.
GLEN FOGEL teaching Video Installation
Cultural Studies, McGill University; M.F.A., Milton Avery Graduate School of the Arts, Bard College. Solo exhibitions at Santa Barbara Contemporary Arts Forum; Callicoon Fine Arts, New York; Center for Curatorial Studies, Bard College; Portland Institute for Contemporary Art; Contemporary Arts Museum Houston; Participant Inc., New York; The Kitchen, New York; Momenta Art, New York; among others. Recent group exhibitions at Sikkema Jenkins, Laurel Gitlen and Andrew Edlin Gallery, New York; Maria Stenfors, London; The Power Plant, Toronto; Whitney Biennial, New York; Selected screenings at Hammer Museum, Los Angeles; Yale Film Study Center; Toronto International Film Festival; MIX Film Festival, New York; London International Film Festival; Museum of Modern Art, New York; CinemaTexas. Has served as video editor for Merce Cunningham Dance Foundation and for artists Charles Atlas, Lutz Bacher, and Michel Auder. Grants and awards from Princess Grace Foundation; Rema Hort Mann Foundation; and MAP Production Fund, Creative Capital. At Bard: Fall 2013.